Nevertheless, it is the passion of Heathcliff and Catherine that most readers respond to and remember and that has made this novel one of the great love stories not merely of English literature but of European literature as well. In addition, their love has passed into popular culture; Kate Bush and Pat Benetar both recorded "Wuthering Heights," a song which Bush wrote, and MTV showcased the lovers in a musical version. The love-relationship of Heathcliff and Catherine, but not that of the other lovers, has become an archetype ; it expresses the passionate longing to be whole, to give oneself unreservedly to another and gain a whole self or sense of identity back, to be all-in-all for each other, so that nothing else in the world matters, and to be loved in this way forever.
The story is uncomplicated. Carney plays widowed septuagenarian Harry Coombes, a man who lives a simple life and purely adores his cat Tonto.
At the beginning of the film, Harry is forced out of his New York apartment. He is literally pulled out by the police, a clever device to show his undying pain of the loss of his wife Annie.
This pain is rarely discussed fully through the film, but her loss is undeniably omnipresent. This is where Tonto comes in.
The dinner scene that depicts this rift is intensely affecting. Like Duane, Norman has taken a vow of silence due to his misguided views of drugs and their even more misguided association to Zen religions.
Norman is constantly discouraged in his search for himself. However, Norman is not too misplaced in the world, especially when he develops his relationship with his grandfather. Harry wakes up in the middle of the night and in a very touching scene, he comforts Norman by simply taking interest.
Feeling trapped Harry picks up Tonto and sets off across country to see his other children. He shares a very warm goodbye with his son a truly heartbreaking character and enters the airport ready to set off.
Unfortunately his inability to part with his cat and his distrustful relationship with law sends him back out the door and into a cab. The cabbie takes him to the bus station where he sets off for Chicago. The bus leaves, and Harry must find his way to Chicago by other means.
On the way to Chicago, Harry picks up an oddball year-old named Ginger Melanie Mayron in her debut film role. Harry is incredibly dialed into the younger generation. As mentioned before Harry makes an interesting connection with Norman, but it is his relationship with Ginger that is especially intriguing.
She brings out his youth, a side he has obviously not seen in years. During their hotel stay, Ginger gets Harry to talk about his life before Annie.
Harry describes his first love Jessie Stone, a free-spirited woman who he had loved very much until she left him for Isadora Duncan. These two are children of the sixties and seventies, a very sexual era.
Harry himself is not unaware of this time period, as he has now admitted that he was part of the roaring twenties. He understands much more than the stiff s parental units that these two have been stuck under and break free from.
This conversation leads to the most moving scene in the film.
In a very funny sequence that precedes the unwavering tears that follow, Harry finds the wrong Jessie Stone in an overweight black woman who he has never set eyes on.
Jessie can only remember certain things, but not the most important. The rest of the film creates a full circle in terms of the Coombes family. The scene introducing Shirley also brings the return of Norman.
He is now speaking, and has visibly found himself after separating himself as far as he can from his discouraging mother and father. We meet a more contented Norman, and we feel even happier when he finds a mutual attraction to Ginger.
Their relationship blossoms, and when they leave the screen we hardly feel bad for either of them. When Harry arrives in L.
Eddie is a mess. Unlike his brother and sister, he is utterly lost. He drives a nice car, lives in a cool apartment, and he seemingly is comfortable in the California lifestyle.
Eddie disappears from the film at this point, somewhat questionably. The film has a hopeful ending, which oddly takes place after the sad but timely death of Tonto.
Harry meets a comical cat lady who offers him a place to stay. One of the cats resembling Tonto runs away across the beach. Harry catches him, but then lets him free when he sees a young child playing in the sand.Using a mix of case studies.
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Love and Lovability “There is no character in Wuthering Heights who is completely lovable, who wins our sympathy completely.”(Bloom 99) Love, in one way or another is the force which makes people unlikable. In Emily Bronte’s Wuthering Heights, people’s adoration for one another is the reaso.
The intertwineing of the thoughts of retaliation and love prove to give Heathcliff a distored vision of love and Cathy a demand for such a love that merely Heathcliff can give to her. Where as Catherine and Hearton, the 2nd coevals, learn from the experiences of the . Wuthering Heights Emily Bronte’s Wuthering Heights is a novel full of controversial topics such as love, revenge, and betrayal.
Bronte wrote the novel in the form of framed narration, meaning there is a story within a story throughout the novel. Video: Critical Analysis & Criticism of Wuthering Heights In this lesson, we will learn about the critical history of and some important approaches and methods for understanding Emily Bronte's.
love and lovability in wuthering heights.
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